Romanie Smith wants to squeeze waist to 15 inches using steel corset and 'waist training' technique used by Kim Kardashian. A woman obsessed with breaking the world record for the smallest waist crams herself into rib-crushing corsets for up to six hours a day. Fetish model Romanie Smith, 20, risks damaged lungs and squeezed internal organs in her bid to achieve what she believes is the perfect hourglass figure. She has already managed to cinch her stomach down to 18 inches but now hopes to break the world record by squeezing down to an eye-watering 15 inches. In the past eighteen months, Romanie has shrunk her natural waist by three inches, from 25 to 22 inches, using a 'waist training' technique used by Kim Kardashian.
However, there still existed individuals who wore tightly laced corsets. Your Size. Romanie is fully aware of how damaging the cinching technique Tight corset fetish be and is determined to limit her corseting to what she feels is safe. Unsourced material may be challenged and removed. Categories Nude pics of rachael taylor s fashion 19th-century fashion 20th-century fashion Corsetry History fetihs clothing Western fashion Body modification Fetish clothing Fashion-related fetishism. But rather than following the likes of the Kardashians, who are well-known fans of waist training, Romanie is inspired by pins ups from the 40s and 50s and aims to recreate their "classy" hourglass stature. Your Waist Inches. When I Tight corset fetish school … my waist measured only thirteen inches.
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The term "tight-lacing" refers to the laces that tighten a corset.
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The term "tight-lacing" refers to the laces that tighten a corset. There is no generally accepted definition of what constitutes tight-lacing since it could be argued that any corset that is not loose is tight.
Furthermore, there is no agreement as to how tightly corsets were usually laced. Some nineteenth-century writers argued that any use of the corset was dangerously unhealthy, whereas others tolerated or praised "moderate" corsetry, reserving their criticism for tight-lacing, however this might be defined. When they mentioned measurements at all, they variously defined tight-lacing as a reduction of the waist by anywhere from three to ten inches.
That is, depending on the definition, a natural waist of, say, 27 inches might be reduced to a circumference of anywhere between 24 inches and 17 inches. John Collet's caricature Tight Lacing, or Fashion Before Ease depicts a fashionable woman clutching a bedpost, while several people tug strenuously at her stay laces. Anyone who has seen the movie Gone with the Wind can picture Scarlett O'Hara in a similar situation, exclaiming that if she cannot be laced down to 18 inches, she will not be able to fit into any of her dresses.
Published accounts of extreme tight-lacing in Victorian periodicals, such as The Englishwoman's Domestic Magazine EDM , describe young women reducing their waists to sixteen inches or less. For example, a letter signed Nora was published in the EDM in May , claiming to have attended "a fashionable school in London" where "it was the custom for the waists of the pupils to be reduced one inch per month.
When I left school … my waist measured only thirteen inches. In a few months, however, I was … anxious … to have my corsets laced as tightly as a pair of strong arms could draw them. Between and EDM printed dozens of letters on tight-lacing, as well as on topics such as flagellation, high heels, and spurs for lady riders. Later in the century, other periodicals, such as The Family Doctor , published letters and articles on tight-lacing.
The notorious "corset correspondence" has been cited by some writers, such as David Kunzle, as evidence of extreme tight-lacing during the Victorian era. However, most scholars in the early s believe that these accounts represent fantasies. Indeed, by the end of the century, the tight-lacing literature becomes increasingly pornographic, as fetishist themes overlap with sadomasochistic and transvestite scenarios.
Such accounts may well indicate the existence in the later nineteenth century of sexual subcultures where corset fetishists most of whom were probably men enacted their fantasies in settings such as specialized brothels, where they paid prostitutes to role-play as sadistic governesses. Yet this is a far cry from the use of corsets in ordinary women's lives. The popular belief that many Victorian women had inch waists is almost certainly false.
Corset advertisements in the second half of the nineteenth century usually give waist measurements of 18 to 30 inches, and larger sizes were also available. Within museum costume collections, it is rare to find a corset measuring less than 20 inches around the waist. Moreover, as the author of The Dress Reform Problem noted, "A distinction should be made between actual and corset measurements, because stays as ordinarily worn, do not meet at the back.
Young girls, especially, derive intense satisfaction from proclaiming the diminutive size of their corset. Many purchase and inch stays, who must leave them open two, three, and four inches. This is not to say that women did not use corsets to reduce their waists. Writing in , the English author Arnold Cooley claimed that, "The waist of healthy women … is found to measure 28 to 29 inches in circumference.
Yet most women do not permit themselves to exceed 24 inches round the waist, whilst tens of thousands lace themselves down to 22 inches, and many deluded victims of fashion and vanity to 21 and even to 20 inches. The discourse on tight-lacing needs to be analyzed in ways that move beyond simple measurements.
Because the practice of tight-lacing was so ill-defined and yet was perceived as being so ubiquitous in the nineteenth century, it became the focus of widespread social anxieties about women. Tight-lacing disappeared as a social issue with the decline of the corset as a fashionable garment in the early twentieth century. However, there still existed individuals who wore tightly laced corsets.
In the mid-twentieth century, Ethel Granger was listed in the Guinness Book of World Records for having "the world's smallest waist," which measured 13 inches. In the early twenty-first century, the most famous tight-lacer is probably the corsetier Mr. Pearl, who claims to have a inch waist. His friend Cathie J.
See also Corset ; Fetish Fashion. Steele, Valerie. Fetish: Fashion, Sex and Power. New York: Oxford University Press, All Rights Reserved.
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Tightlacing also called corset training is the practice of wearing a tightly-laced corset. It is done to achieve cosmetic modifications to the figure and posture or to experience the sensation of bodily restriction. Corsets were first worn by members of both genders of Minoans of Crete , but did not become popular again until the sixteenth century. They remained a feature of fashionable dress until the French Revolution ,  when corsets for women were designed mainly to turn the torso into a fashionable cylindrical shape, although they narrowed the waist as well.
They had shoulder straps, ended at the waist, flattened the bust, and, in so doing, pushed the breasts up. The emphasis of the corset became less on the smallness of the waist than on the contrast between the rigid flatness of the bodice front and the curving tops of the breasts peeking over the top of the corset.
At the end of the eighteenth century, the corset fell into decline. Fashion for women embraced the Empire silhouette : a Graeco-Roman style, with the high-waisted dress that was unique to this style gathered under the breasts. The waist was no longer emphasised, and dresses were sewn from thin muslins rather than the heavy brocades and satins of the aristocratic high fashion style preceding it. The reign of the Empire waist was short. In the s, shoulders widened with puffy gigot sleeves or flounces , skirts widened layers of stiffened petticoats , and the waistline narrowed and migrated toward a natural position.
By the s , exaggerated shoulders were out of fashion and waistlines were cinched at the natural waist above a wide skirt. Fashion had achieved what is now known as the Victorian silhouette. In the s, the artificially inflated shoulders and skirts made the intervening waist look narrow, even with the corset laced only moderately. When the exaggerated shoulders disappeared, the style dictated that the waist had to be cinched tightly in order to achieve the same effect.
It is in the s and s that the term "tightlacing" is first recorded. It was ordinary fashion taken to an extreme. Young and fashionable women were most likely to tightlace, especially for balls, fashionable gatherings, and other occasions for display.
Older, poorer, and primmer women would have laced moderately — just enough "to be decent". The Victorian and Edwardian corset differed from earlier corsets in numerous ways. The corset no longer ended at the waist, but flared out and ended several inches below the waist. The corset was exaggeratedly curvaceous rather than cylindrical. It became much sturdier in construction, thanks to improvements in technology.
Spiral steel stays curved with the figure rather than dictating a cylindrical silhouette. While many corsets were still sewn by hand to the wearer's measurements, there was also a thriving market in cheaper mass-produced corsets. In the late years of the Victorian era , medical reports and rumors claimed that tightlacing was fatally detrimental to health see Victorian dress reform.
It was frequently claimed that too small a waist was ugly rather than beautiful. Despite the efforts of dress reformers to eliminate the corset, and despite medical and clerical warnings, women persisted in tightlacing. In the early s, the small corseted waist began to fall out of fashion. The feminist and dress reform movements had made practical clothing acceptable for work or exercise. The rise of the Artistic Dress movement made loose clothing and the natural waist fashionable even for evening wear.
Couturiers such as Fortuny and Poiret designed exotic, alluring costumes in pleated or draped silks, calculated to reveal slim, youthful bodies. If one didn't have such a body, new undergarments, the brassiere and the girdle , promised to give the illusion of one.
Corsets were no longer fashionable, but they entered the underworld of the fetish , along with items such as bondage gear and vinyl catsuits. From the s to the s, fetish wear became a fashion trend and corsets made something of a resurgence. They are often worn as top garments rather than underwear. Most corset wearers own a few bustiers or fashionable authentic corsets for evening wear, but they do not tightlace.
Historical reenactors often wear corsets, but few tightlace. A typical training routine begins with the use of a well-fitted corset and very gradual decreases in the waist circumference. Lacing too tightly too quickly may cause extreme discomfort and short-term problems such as shortness of breath and faintness, indigestion, and chafing of the skin if a liner is not worn. It may also cause irreversible damage to the corset, and so corsets should be seasoned appropriately.
The primary effect of tightlacing is the decreased size of the waist. Such extreme reductions take a very long time to achieve. The length of time it would take a tightlacer to get used to this reduction would vary on his or her physiology; a large amount of fat on the torso and strong abdominal muscles caused it to take longer for the tightlacer to wear a corset laced closed at the back.
Thereafter, reducing another couple of inches would not be much more difficult, but each inch after a six-inch reduction may take a year to achieve. The diminished waist and tight corset reduce the volume of the torso. This is sometimes reduced even further by styles of corset that force the torso to taper toward the waist, which pushes the lower ribs inward. As a consequence, internal organs are moved closer together and out of their original positions.
Tightlacing was believed to have been a contributing factor in the death of female impersonator Joseph Hennella in From Wikipedia, the free encyclopedia.
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